Monday, 29 May 2017

The Metaphorical Boat Podcast Episode 00 - Aidan Logan

We've been floating on The Metaphorical Boat blog for nearly six years now, and have spent the best part of six years doing what we do best, namely finding the best new music, then writing about said music. Well, some would argue that there are other things that we do better, but for the sake of argument, go with us on this point.

So after six years of writing about music, we have decided to try something outside of the written word, and enter the world of the spoken word. Hence, The Metaphorical Boat is proud to launch its first ever podcast. About 10 years later than everyone else in the world, but hey, better late than never.

In each episode, the Captain of The Metaphorical Boat, Mr Christopher McBride, will sit down with one of his favourite musicians, and over a cup of a lovely caffeinated beverage and a bun or tray-bake of the artist's choosing (The Captain always goes for Battenberg. Always), they will chat through the artist's life, musical highlights, and most importantly, how many sugars they take.

The first ever guest, on Episode 00* of The Metaphorical Boat Podcast, is Aidan Logan. Aidan is a Belfast based singer/songwriter who is gearing up to release his new E.P "Turbulence". On the podcast, we talk about his musical influences, what the music scene is like in Belfast, replacing Garth Brooks, playing in Nashville, and most importantly, what his favourite bun is.

Listen or download now on Soundcloud (iTunes etc will hopefully follow in the next few weeks):

Find out more about Aidan Logan on -
Facebook | Twitter | Website

*We are cleverly calling this episode 00 of the podcast, for if for some unforeseen reason the podcast doesn't progress beyond this episode, we can write it off as a one-off, or pilot episode. See, we're not just pretty faces. In fact, some would say that we're not even that.

Wednesday, 24 May 2017

Basement Revolver - Johnny Pt. 2

We all enjoyed "Johnny", the debut single from Hamilton, Canada based trio Basement Revolver, didn't we? The answer to that is yes. Yes indeed we did. For that single went on to accumulate over half a million streams on Spotify, and the eponymous E.P that it was taken from picked up a lot of love from all the cool blogs.

Well, it turns out that the band loved "Johnny" so much that they've written a sequel to it. Actually, 'loved' is probably not the best operative word, seeing as "Johnny Pt.2" was written directly in aftermath of the break-up with the titular fellow. In comparison to the more wistful "Johnny", the follow-up seems quite a lot more forceful & hopeful, underpinned by the punchy drums, and the central refrain of "my doors will always be open for you", a statement not of yearning for the past, but of hope for a fresh new future. Another solid slice of reverb-drenched indie-pop from Basement Revolver.

"Johnny Pt.2" is taken from the band's upcoming E.P "Agatha", which is released on July 21st.

Sunday, 21 May 2017

The Great Escape - Saturday May 20th 2017

The final day of The Great Escape has drawn to a close, as we leave the better than okay town of Brighton for another year, with all the music that came with it. We saw lots of great music, as well as lots of music that we didn't get around to - as is sometimes the way with TGE, large queues meant that we weren't able to get in to some of the artists we would have liked to see, like Ibibio Sound System, Childcare & Jane Weaver. 

But we did get to see lots of great music on Saturday, so here is what we saw, complete with our hastily taken pictures: 


Location: Latest Music Bar

The day was kicked off with some rock music direct from Korea. Really fantastic and surprisingly diverse sounding set of songs, and a really charismatic lead singer who really got the crowd going. Plus they gave me a stuffed toy to mark the Winter Olympics in Korea in 2018, so extra marks for them. Evanescence would perhaps be the closest musical comparison by our reckoning.


Location: Queen's Hotel

Their lead singer sure is a right old hairy fella. (Note to the band - you have our permission to use that quote in any press releases you send out).

Quite nice tropical infused indie. Quite a big crowd for them in one of the smaller venues.

The Rhythm Method

Location: Komedia

We didn't expect to like The Rhythm Method as much as we did, but we were absolutely blown away by their stagecraft. Fronted by quite possibly the campest hard lad we've ever seen, the duo (plus guest vocalist) put in a blinding set of contemporary sounding, socially deft tunes, like a cross between The Streets and a lower budget Pet Shop Boys. The crowd went bananas for them, and given the positive reception we've heard from others for their set, this could prove to be a breakthrough moment for the band. 

 Penelope Isles

Location: St Mary's Church

We stumbled across this local band playing in a church right next to the hotel we were staying at. We must say that it was the perfect venue to see the band, for their lo-fi indie-rock stylings sounded incredible with the acoustics offered by the venue - we don't think we've heard drums sound so good before.

Luxury Death

Location: Horatios

Probably the only band we saw during the weekend that actively bored us. Still, at least it gave us the opportunity to walk all the way to the end of Brighton Pier. You get a lovely view of the sea from there.

The Kolin

Location: Queen's Hotel

We caught the tail end of the Hungarian band's set. Their tunes were okay, but their lead singer had us all laughing, as he sarcastically joked about how much money and fame they were going to get as a result of playing at The Great Escape, and gently took the proverbial out of their guitarist.

The Monotones

Location: Queen's Hotel

Our second Korean band of the day. The band opened the set joking about their matching outfits ("we were going for The Beach Boys, but ended up like the Backstreet Boys"), and launched into a pretty decent set of rock songs, culminating in an unexpected cover of "Disco 2000".

Parekh & Singh 

Location: Patterns

An absolutely lovely set of dreamy pop songs from the dapper Indian band. "Newbury Street" and "Philosophize" were the highlights of a set that was 30 minutes of pure loveliness.

Drones Club

Location: Green Door Store

What a way to finish our time at the Great Escape 2017. Dressed like a cross between astronauts in training and paramilitaries, Drones Club put in a blinding set of electronic dance tunes that were part rave, part revolutionary call to arms. "Hurricane" is quickly becoming our favourite song of the year, and the ecstatic reaction of the crowd just showed us exactly why that is. It was definitely the highlight of our festival, and sets Drones Club out as a band that we feel are going to be incredibly important over the next 12 months, in one way or another.

Saturday, 20 May 2017

The Great Escape - Friday May 19th 2017

So Day 2 of The Great Escape has come to its conclusion. Despite it being a much brighter day than day 1, where it rained so much that several streets had to be re-designated as rivers, it was a less intensive day in terms of who we went to see. Still, it gave us the opportunity to explore several acts whom we were unfamiliar with before the festival began. And here they are, alongside our hastily taken photos of each act - 

One Word. Supervisor

Location:  Komedia Studio

Kicking off the day with some Swiss psychedelic-rock. Quite War on Drugs-y, if that's your type of thing.

Delaney Davidson

Location: One Church

This New Zealander was a bit of a surprise. Delaney Davidson appears to be the Antipodes' version of Tom Waits, with his blues-rock sound, grizzled, gin-soaked vocals and tales of lust and murder. It was interesting to see a loop pedal being used to create that sort of throwback blues-rock, which isn't something we've seen in the live arena before. Top marks for using an antique microphone to nonetheless recreate that antiquated sound.

La Jungle

Location: Sticky Mike's Frog Bar

Belgian electroclash. Some nice noises, but nothing that really grabbed us...


Location: The Black Lion

...for straight afterwards, we witnessed the true kings of Belgian dance-punk, Goose.

It was surprising to see the veteran band play at The Alternative Escape, and at such a small venue, but their set was nonetheless impeccable. Really great songs, and a quite subdued yet effective lighting arrangement too. Will have to dig into the band deeper as a result.

The Age of L.U.N.A

Location: Patterns

At a festival like The Great Escape, we do think it's a good idea to dip your toe into musicians in a genre that you may not exactly enjoy, for if there's one place you're likely to find some of the most exciting practitioners of each genre, it's at The Great Escape.

We're not the biggest fan of hip-hop, but we thought that we'd take a change of The Age of L.U.N.A on the recommendation of another music blogger. Although they weren't really our cup of tea, there were many things to like about them - the production on their songs is quite strong, we did enjoy their mash-up/shprt mixtape of hip-hop classics like "Ready or Not" and "Ghetto Superstar", plus we must give top marks for any rap group that plays live sax of stage.

Busty & The Bass

Location: One Church

We definitely didn't think that we'd be treated to Canadian brassy-funk in a church at The Great Escape, but treated we were. The packed out crowd really enjoyed the performance, with much dancing and arse-slapping (?) abound.


Location: The Mesmerist

We discovered last minute that the artist responsible for making one of our favourite songs of 2016, Draper, was playing. The set from the electronic artist saw him adding live synthetic percussion to his pre-recorded tracks, with lights synchronized to the performance. Great songs, wish it felt a little bit more live though.

Friday, 19 May 2017

The Great Escape - Thursday May 18th 2017

Day 1 of The Great Escape has come to its conclusion, and we begin to digest all the music that we consumed in our first day at the festival. Here are the artists that The Metaphorical Boat witnessed on the opening day, complete with our usual hazy, badly taken pictures - 

Confidence Man

Location: Komedia

The first band of The Great Escape was definitely our favourite of the day - cool danceable pop tunes, complete with semi-improvised, semi-choreographed routines from the lead singers. A fun time was had be all by the end of the set. Not sure we get the significance of the costumes of the backing musicians though, who were dressed like gothic beekeepers.

The Lottery Winners

Location: Queen's Hotel

The in-between song banter from the Salford band had many people in the audience (metaphorically) rolling on the floor in fits of laughter, which as a result meant that it's possible that we liked The Lottery Winners more as people than we did as musicians. That's not to say they weren't good though - they've got some cracking little indie-rock songs in their set, somewhere between Feeder and The Pixies.

Dat Brass vs Brass Funkeys

Location: Jubilee Square

Jubilee Square played host to not one, but two brass bands with a twist in Thursday afternoon. Dat Brass took it in a hip-hop direction, with the band covering songs like "Clint Eastwood" and "Stronger" with a strong brass flavour, with the Brass Funkeys, as their name suggested, taking a more funk orientated approach to their music.

It all culminated in a "Brass Off", where the two bands alternated performances, throwing shade at each other between performances, with Dat Brass taking the proverbial out of Brass Funkeys being conservatory trained, and Brass Funkeys mocking Dat Brass for playing too many covers. Dat Brass just about won for us, but we did enjoy both bands' spin on the genre.


Location: Bleach

We saw Anteros at the festival last year, and loved them so much we had to see them again. They've added some great songs to their set since last year, like "Drunk" & "Bunny", but it is the old favourites like "Breakfast" that seem to go down the best with the heaving crowd. Blondie still seems like the closest comparison in sound. 


Location: Hotel Pelirocco

Electronica act PATHS put in a good performance in Hotel Pelirocco, although unfortunately the size of the venue means that the light show doesn't have the same impact as it has in previous gigs from the act.


Location: Sallis Benney Theatre

Howl were one of the bands that we knew little about before seeing them, and came out incredibly impressed. The band remind us of a modern day Stone Roses, with their baggy influenced songs like "Lost" really winning us over. 

Brian Deady

 Location: Sallis Benney Theatre

Cork fellow Brian Deady has a really strong, soulful voice, although sometimes during the set it felt like he didn't have the tunes that it deserved behind it. "Clap Both My Hands" is a genuine banger though, very O Brother, Where Art Thou.


Location: The Hope & Ruin

For a band that's only been together a few months, Outlya feel incredibly polished already (although given that the members had been in a band together previously, it's not that unexpected). A really strong set of songs very much in the mold of Coldplay.

The Amazons

Location: The East Wing

Only caught the tail end of this hotly tipped band, but we can definitely say that they do indeed make music.


Location: The East Wing

When a band starts their set with an acapella cover of "Archie, Marry Me" by Alvvays (a song we first discovered during our first visit to The Great Escape in 2014), then you know that you're going to enjoy their set. Great indie-rock songs with sumptuous 4-part harmonies are the order of the day for Flyte.